The chief characters in Fences and Where are you traveling, Where have you been exhibits how one ‘s ain personal convulsion creates upset in the universe. In the drama, Fences, Troy Maxon is the chief character who is at war with society. The chief character, Connie, in Where are you traveling, Where have you been is invariably at war with her household. The two characters embody people who struggle against their ain personal pandemonium. Connie ‘s biggest defect was her restlessness for adulthood. She can non accept her life as it soon is. On the other manus, Troy fails to accept societal alteration in the universe. Both characters took dissimilar attacks to happen and liberate their innermost egos in the thick of social upset. In the terminal, the ultimate consequence depended on that character ‘s nature, heroism, and strength.
Connie ‘s race to maturity is a prevailing trait focused on in the narrative. Her restlessness for adulthood negatively affects her character. Throughout the narrative, the reader observes Connie about as holding split personalities. Once she is place, she becomes a kid, and her gender remains concealed. When Connie is off from place, she openly explores her gender. Connie ‘s laugh, smiling, and even her walk metabolism every bit shortly as she walks beyond the front door. Much of her life revolves around stone and axial rotation music. The clip she does pass with her friends, they are jejunely chat uping with male childs. They would detect male childs and thin together and whisper and laugh in secret ( Oates 703 ) when they went out together. Away from place, the kid concealed, a sexually luring immature adult female emerges, and the universe of the grown-ups is more than eager to allow her interior. Through Arnold Friend, a malicious adult male in camouflage, Connie learns that her haste to turn up is unwise. In the terminal, she eventually understands that she is trying to hotfoot into a universe that she knows nil about and could be potentially risky. She ne’er thought about the possible dangers in the universe beyond her place until the twenty-four hours Arnold came for her. Connie decides to allow travel of her dream and embracing her household as ne’er before. Ultimately, she comes to the realisation that her household ‘s house appreciation on her is non for their benefit, but her ain.
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Fences chief character, Troy, views himself as a diligent and nice adult male. However, he fails to recognize that he views his married woman and childs as a fiscal duty or load. He lashes out bitterly towards his loved 1s and can be violative. At times, he is retentive with his values and unwilling to accept other people ‘s manner of life when they are unlike his ain. This inability to accept others manner of life and beliefs creates changeless struggle with the other characters. His mind-set often viewed as degage, careless, and thoughtless towards his household ‘s emotions. Once he is off from place, he unleashes his promiscuousness by holding an adulterous matter. When Troy is at his place, he is busy working on the fencing in the pace and portrays a hard-working hubby and male parent. “ Troy articulates laudably the ideal of masculine trueness and responsibility to household ” ( Bogumil 36 ) . Though he has struggled to be a responsible individual and carry through his responsibilities throughout whole life, he has created struggle through his hostile mode. The writer efficaciously epitomizes how the effects of Troy ‘s rigorous upbringing cause him to go through along a heritage of bitterness and choler. In return, this broken childhood creates strain and statements in his relationships with his household.
There are certain similarities among the two characters personalities. Both Connie and Troy exhibit split personalities around their household when they are inside their place. Troy engages in an matter with another adult female because he wants to slake his desire for more sexual fulfilment. Much like Connie, Troy was one time a dreamer. He dreamed of going a professional baseball participant. Unfortunately, Troy abandoned his dreams when he became a convicted felon. Connie forsakes her dreams of going a sexualized grownup adult female, when faced with the possibility of decease and the unknown. She eventually came to footings with her desires and embraced Arnold Friend ‘s proposals. Both Troy and Connie ‘s relationship with their household is unsteady. Connie views her sister as unattractive. Physical visual aspects seem to be her primary focal point, and she is haunted with her ain. Connie besides lives in a delusional universe. Her female parent invariably tries to draw her out of this reverie, by stating her head was all filled with rubbishy reveries ( Oates 702 ) . Likewise, Troy prohibits his boy Cory from holding any dreams or hopes about being a professional baseball participant: “ I do n’t desire him to be like me! I want to travel as far off from my life as he can acquire ” ( Wilson 39 ) . Troy Maxon ‘s last yearss become an expounding of his life excessively many twentieth-century black males ( August 136 ) . Troy and Connie failed to recognize that life is short and the possibility of decease is inevitable. Troy invariably provokes conflicts and challenges decease. Troy refers to his “ watchfulness ” to maintain an oculus on decease. Connie ‘s naif attitude ne’er expected decease to enforce itself while she was home entirely without her household ‘s security.
An appraisal of these two characters inmost nature, spirit, and energy reveals that their inability to accept the changing universe around them led to failure. Troy ‘s obstinacy followed him to the grave. The immatureness Connie ‘s universe entrenched, made her unbeknown to the skulking immoralities of the universe. In the terminal, both characters confronted a fatal decease.